Michael Gagarin (ed.), Antiphon: The Speeches. Cambridge: Cambridge University Press, 1997. Pp. ix, 266. $59.95. ISBN 0-521-38029-4 (hb); $22.95. ISBN 0-521-38931-3 (pb).
Reviewed by Alexander Tulin, Howard University, email@example.com.
The general editors of the 'green-and-yellow' Cambridge Greek and Latin Classics have finally gotten back to the orators, and publishing a commentary on the speeches of Antiphon was an excellent and obvious choice: due to the focus and unity of these speeches (LO/GOI FONIKOI/), as well as the simplicity and relative clarity of the prose, Antiphon makes a plausible author for intermediate readers. Michael Gagarin too was a most obvious choice to serve as editor and commentator. Easily the most prolific of American scholars working in the field of Greek law generally, Gagarin has been publishing papers on Antiphon for years, including a recent monograph on Antiphon 5 (The Murder of Herodes, 1989 [henceforth = MH]). Indeed, apart from Maidment's very serviceable Loeb (Minor Attic Orators I, 1941), there is little available in English, as Gagarin duly notes (ix),1 and so students of Antiphon will surely want to have this volume. Yet it must be said that as soon as one considers carefully the specifics of this book, the results are not entirely unmixed.
Gagarin opens with a brief (35 page) Introduction that, with the partial exception of the segment on Language and Style (24-35), is obviously intended for an elementary audience. There is little here for the specialist, and so it is largely thus that this Introduction must be judged.
Gagarin repeats views he has argued at length elsewhere. So, he continues (5 f.) in the belief that Antiphon of Rhamnus (Kirchner, PA 1304; cp. Thuc. 8.68.1), the author of our speeches, is identical with Antiphon the Sophist (D.-K., Vorsokr. 87; see now Decleva Caizzi, CPF 1.1, 1989, 176-222). This question of the identity of Antiphon is complex -- too complex, indeed, for the elementary reader -- and the result is that Gagarin's discussion is slightly unfocused. It is also somewhat misleading: the arguments against his unitarian position, while not absolutely conclusive, remain quite strong, and students would be more accurately served had Gagarin struck a more agnostic note. Certainly, it is not correct to refer to Thuc. 8.68 as the "[m]ost compelling" piece of evidence; Thuc. 8.68 compels nothing either way.
Gagarin reiterates (8 f.) his support for the authenticity of those short model speeches known as the Tetralogies (Ant. 2, 3, and 4). Here, the specifics of the debate are readily grasped, and might have been presented profitably to Gagarin's readers (as, e.g., Gernet, Antiphon. Discours [Paris, 1923], 6-16). Unfortunately, Gagarin's discussion is brief and remains too general. Of all the issues raised in connection with the authenticity of the Tetralogies, the most important concern what appear to be discrepancies between Attic law as actually practiced and, on the other hand, certain specifics mentioned by the Tetralogies. Of these, the most intractable has been a reference (3.2.9, etc.) to a 'law' (O( NO/MOS) that seems to prohibit all types of homicide, both just and unjust (MH/TE A)DI/KWS MH/TE DIKAI/WS), which appears to conflict with the provision, sufficiently attested for Attic law, allowing that certain types of homicide were indeed justifiable (DIKAI/WS) and would not be punished.2 Like others, Gagarin argues (pp. 8, 24, 151 f.), and has argued (GRBS 19, 1978, 291-306), that the NO/MOS of 3.2.9 was not intended by the author to be taken as an actual 'law', but was instead meant to be seen only as a moral injunction or rhetorical flourish. Gagarin has had many takers.3 Yet the 'law' in question appears to be cited and utilized as if it were an actual law and, as I have demonstrated elsewhere, Gagarin's analysis of the passage (3.2.9) -- as a rhetorical or moralizing flourish not essential to the argument -- is, in any event, untenable.4
Such discrepancies, of course, if admitted, hardly prove that the Tetralogies are not the work of Antiphon. They can as easily be explained by the supposition that the Tetralogies are rhetorical set-pieces or school exercises.5 Even so, we ought not go so far as Gernet's (16) "enfin que des exercices d'école supposent une école, donc un professeur". The evidence that Antiphon of Rhamnus was some type of teacher, whether of Thucydides, as was often supposed, or of others -- a view that Gagarin himself continues to endorse (pp. 4, 25, 33; also GRBS 31, 1990, 29 ff.) -- is extremely tenuous (see G. Pendrick, GRBS 34, 1993, 219 f., esp. n. 18) and ought probably to be abandoned.
The next section of the Introduction, on Law and Rhetoric (9-24), offers less scope for controversy, and Gagarin's treatment here is more even-handed. There is a brief and excellent account of Athenian law (9-13); his views (21 f.) on the purely rhetorical use of the proklesis (see CP 91, 1996, 1-18) are, on the whole, persuasive; comments (22 f.) on the tetralogist's manipulation of the doctrine of miasma are worthy of further development. On the other hand, the sections on argumentation (13-21) are somewhat puzzling. For example, though he announces the importance of the so-called eikos-argument for Antiphon, Gagarin fails to discuss this mode of argumentation as such, and launches instead into a brief account (14) of what he likes to call (MH 47 n. 3; CP 85, 1990, 30) the "reverse eikos-argument".6 Indeed, we never do get a systematic account of eikos, nor of arguments from probability generally, though references to it are scattered throughout the book. Similarly, there is only passing reference to ethopoiia (16; cp. Edwards, 69), little or nothing on enthymemes, argumenta ex contrario,7 and the like, and little interest is shown in the rhetorical commonplaces (Gemeinplätzen) that might have been collected and catalogued in a work of this sort.8 In sum, the basics are often ignored, which, given the audience envisioned, severely restricts the utility of this segment of the Introduction.
The section on style (24-35) is the fullest and, thus, the best part of the Introduction. There are useful discussions of diction, syntax, word order, and other stylistic features, though Gagarin might have collected more instances to illustrate his points; not everyone will have Cucuel's Essai sur la langue et le style de l'orateur Antiphon (1886) to hand. Analysis of the import of certain stylistic features, such as periphrasis (29) or variation (Antiphon "frequently implies by variation that reality is not so neatly comprehended" ), is not persuasive. The Introduction closes, finally, with an attempt to explain the stylistic differences between the genuine speeches (Ant. 1, 5, and 6) and the Tetralogies as due to the advent of "written communication" (32 ff.).
Gagarin does not show much interest in the manuscript tradition, which (admittedly) was long ago established on a sound basis. Such neglect is excusable in a work of this sort. In accord with the general format of the series, use of apparatus criticus is spartan. Gagarin notes (35) the two primary witnesses (A and N), and distinguishes between the two correctors of A, A1 and A2, though more ought to have been said about the importance of A2, which ceases abruptly at 5.84,9 relative to A ("pieno di errori") and A1 (which latter seems to be the scribe of A himself; the corrections in N, on the other hand, have little value). Gagarin also claims (Pref. ix) to have used collations of A and N made "some years ago" by Prof. James Zetzel. This claim, strangely, is hard to evaluate, since Gagarin does not once indicate (so far as I can see) where his text is in any way indebted to this new source of information. Gagarin's apparatus, it turns out, differs from Thalheim-Blass only in eleven places, and not all of these differences are real. In fact, it appears that Gagarin, having previously (Introd. 35) distinguished the correctors of A, as A1 and A2, now proceeds to conflate them (under the name 'A2') in the apparatus. While this is nowhere stated, it is to be inferred from the fact that the apparatus never mentions A1, and from Gagarin's note ad 6.21 OU) A2N: om. A: OU(= N2, where Thalheim had written MOU temptavi: OU) A (supra versum), N pr., OU(= corr. N. As noted above, A2 breaks off at 5.84; Thalheim's "A (supra versum)", of course, is A1. This conflation of the correctors (if I diagnose correctly Gagarin's procedure) explains divergences in the apparatus at another five locations: ad 6.23 (EI)MI N); 2.2.6 A)\N H)=N A2, which Thalheim (also Decl. Caizzi) ascribes to A1; 4.1.2 TROFE/AS TE A2: TROFE/AS TE KAI\ AN (Gagarin), with which cp. Thalheim's TE KAI\ NA pr., KAI\ erasum in A (also Decl. Caizzi, 238, "A1 aggira eliminando KAI/"); 4.3.5 OU)K A2N (Gagarin), NA1 (Decl. Caizzi); 5.16 U(PELI/POU A2 U(PELEI/POU AN, where Thalheim (who prints U(PELI/POU) placed in his apparatus U(PELI/POU NA pr., ras. corr. Apart from these six passages, 5.37 TW|= A2 (cp. Thalheim's TO\ NA pr., TW= corr. 2) is given thus by Edwards; 5.39 SUNELW/N (sic) is presumably a proof-reading error. This leaves only three passages where new ms. readings may possibly have been offered to us: 5.39 (where Gagarin has E)CA/GOI A: E)CA/GEI N, while Thalheim [also Edwards] gives E)CA/GEI NA pr., E)CA/GOI ras. corr.), 2.3.9 (FANERW=S A2; so, by implication, Thalheim; but cp. Decl. Caizzi FANERW=S A pr.: FANERO\S NA1) -- either of which may be due to confusion -- and 5.51, where there clearly seems to be some new information offered (though it is of little importance), but whose source is again not divulged. A very minor haul, indeed! If this is all that was to be gained by consulting fresh collations of the manuscripts, then we have here a fine confirmation, albeit indirect, of the view of Decleva Caizzi (87) that "[u]n' edizione delle Tetralogie di Antifonte non richiedeva né una nuova collazione dei codici, né un esame generale della tradizione manoscritta per rocostruirne lo stemma. A ciò hanno provveduto i precedenti editori con resultati che sembrano definitivi".10
Gagarin says (35) that the text he presents "is generally conservative, in that it resists the tendency of earlier editors to normalize Antiphon's language by emendation.11 In general, it is closest to Thalheim's for the court speeches, to Decleva Caizzi's for the Tetralogies." In fact, the text is not nearly as conservative as these comments might suggest. Gagarin frequently departs from Thalheim-Blass and Decleva Caizzi, sometimes returning to the vulgate, sometimes adopting conjectures -- following (so it seems) no fixed principle, save for the editor's tastes. What is more, he often departs from these standard texts without giving the reader any notice that he does so, either in the commentary or in the apparatus.12 There is, unfortunately, no list of such divergences. All this, when joined with the ordained brevity of the apparatus generally, means that one cannot use Gagarin's text without having a critical edition always open before one. In Antiphon 5, just twenty-two pages of Greek, I count approximately forty instances where Gagarin diverges from Thalheim-Blass without alerting the reader either in the commentary or in the apparatus. The specifics, moreover, are instructive. These include: 5.3 TW=N DUNAME/NWN LE/GEIN; 4 AI)TH/SOMAI U(MA=S; 5 TA/DE DE\ (A2); 11 OU)/T' A)\N POLLA\ (mss.); 12 AU)=QIS (n.10 supra); 14 TOU\S TW=N KATHGO/RWN LO/GOUS (see Th.-Bl. app. crit. ad loc.); 17 PW/POTE E)DE/QH (N); 26 AU)TO\ (N); 27 OU)/TE AI(=MA OU)/TE A)/LLO (N); 32 O(/ TI A)\N (adopted, nicely, from the Aldine by Maetzner); ibid, TOU/TW| (which apparently has no ms. authority, and is just an old conjecture, 'quo non iam opus est', by Sauppe; ibid, AU(TOI\ (Blass, elegantly); 38 AU)TOI=S DH\; 42 EI)RHME/NOIS (simply a conjecture by the scribe of N [?]; the text, it seems, was already corrupt in the archtype); 45 TE (see n.11; cp. 5.60 OU)DE\ E)KEI=NON [N], 79 DE/ E)STI [!]); 47 E)GE/NESQE (Schoell; cp. 51 GIGNO/MENOS, 52 GEGE/NHTAI); 55 TAU/TH| G) (Jernstedt: TAU/THN mss. et plurr. edd.); 57 varia; 59 SU\ FO/NOU (Maetzner); ibid, DE/ ME (D' E)ME\, surely); 70 A)PH/XQH (AN Maetzner: A)PELU/QH plurr. edd.; cp. Poll. 8.68); 74 KAI/TOI GE (is not idiomatic; cp. 14 KAI/TOI TOU/S GE NO/MOUS, 19 KAI/TOI XALEPO/N GE, etc.; despite, e.g., Andoc. 1.72); 76 PARE/XESQAI (Hirschig); 77 E)XORH/GEI (mss., but cp. KATATI/QHSIN); 80-81 (n.10 supra); 89 A(MARTI/AN (bene; Th. hic errat); 91 XRH\ TOU/S GE (but Blass' XRH=N seems to be required). A text presented thus has limited value, even apart from the quality of these particular readings.
As regards this quality, the attentive reader will doubtless be able to form his or her own judgment from the foregoing instances. It is nice to see Gagarin defend Bekker's PAIO/NTWN at 2.1.9, Blass' AU(TOI\ at 5.32 and EI)/PER at 6.9 (cp. §46 EI)/PER H)DIKOU=NTO), and plausible solutions are offered at 3.2.6, 6.16 (A)RA/MENOS) and 17. But consider 1.10 BASANISTA/S TE (which fatally breaks the logic of the passage; cp. B11 TOU=TO ME\N TOU=TO DE\); 2.4.7 KURI/WN (see n.12); 3.2.1, where KATASTH=NAI or the like is required; 3.2.7 E)MELE/TA (N; cp. Dover, CQ 44, 1950, 46 n.1); 4.1.2 TROFE/AS TE PARE/DWKE (omitting KAI\), etc.
Readers should be aware, finally, that Gagarin often proposes new paragraph divisions; these divisions have interpretative value and must be evaluated independently in every case.13 Furthermore, he does not print the hypotheses or, for the Tetralogies, the titles found in the manuscript tradition. This decision would have been defensible were this a more rigorous text, since these titles and the hypotheses derive from later, rhetorical school traditions.14 But in a text of this sort, it would have been useful to have these to hand.
The commentary itself is serviceable, and will certainly help students get through the text. Not surprisingly, Gagarin tends to focus on the many legal issues raised by the speeches, and it is precisely in his discussion of such legal technicalities that Gagarin's commentary will prove most useful. Many of the particular notes are quite good in this regard, though the points will not always be free of controversy. The introductory set-ups for each case are especially clear, and will serve as a nice complement to those provided by Gernet and Maidment. But Antiphon is more than a sourcebook on Attic law, and Gagarin's treatment of the linguistic and rhetorical aspects of the text is less successful. The commentary is directed (at least in part) towards undergraduates. Yet there is no note, as one might expect, on (e.g.) 5.60 AU(TOU=, on the use of W(S + pple. (see below), or on the polite use of MOI ("please") at 5.35 or 56. At 6.1 A)NQRW/PW| O)/NTI surely needs comment (see Barigazzi ad loc.) more than does H(/DISTON, as does 6.2 H)\ OU)/ or 6.5 MH\ OU). Likewise, at 1.5 KAI\ EI) (miror si) is certainly more difficult than KAQE/STHKE. At other times, notes may appear to be insufficient (e.g., 1.3 KATA\ TO\ AU)TO\; 2.2.2 PARE/XONTA MH\ DIAFQARH=NAI; 2.4.10 OU)K OU)K E)/STIN; 3.2.6 E)/TI DE\, without comment), or inaccurate (on the allegedly concessive use of E)PEI/ GE at 5.50, 6.9, 14, etc., see Tulin, op. cit., 89). More broadly, far too little attention is devoted to analysis of the actual logic of the arguments (as, say, the enthymeme at 2.1.4-8), or to the compositional structure of specific passages (contrast, e.g., Gagarin, 118 f. [ad Ant. 1.21-24], with the excellent note at Barigazzi I, 64 f.). Such omissions are critical, and much work thus remains to be done on the argumentative and rhetorical strategies of this author -- especially as regards the Tetralogies. Compare, in all this, the very full exposition in Adams' Lysias, also composed for undergraduates.
The best section of the commentary is no doubt that on Antiphon 5, De caede Herodis. Gagarin gives, with admirably brevity, a clear and excellent introduction to the case as a whole (173-77), reasserting his view (MH passim; also Due, 50), that Euxitheos may have been guilty all along. The introductory set-ups to the individual sections of the speech are also well done. I append a few comments and observations. 5.8 PRW=TON ME\N OU)=N, W(S PARANOMW/TATA KTL.: for this choice of opening, cp. Andoc. 1.8. 5.9 FO/NOU DI/KHN FEU/GW: "the expression also suggests" equivocates, given Gagarin's more forceful position elsewhere (MH 19 n. 7); in fact, the pple. E)NDEDEGME/NOS is concessive and the whole sentence refers to the prosecution's mishandling of procedure: "Though I have been indicted as a kakourgos, I am actually (not legally, to be sure, but for all intents and purposes) having to defend a DI/KH FO/NOU" (see, most recently, B. Manuwald, Rh. Mus. 138, 1995, 48-50; cp. §§11-12, 16 E(LW\N D) AU)= W(S TOU= FO/NOU TH\N DI/KHN W)FLHKO/TA [obviously, W(S introduces a subjective element, as in W(S A)PISTH/SWN, 32 W(S OU) TA)LHQH= LE/GONTA, 41 W(S A)DI/KWS A)POLLUME/NOUS], 85 E)GW\ DE\ KTL., etc.); the KAI\ that follows must be adversative: "and yet, they themselves bear witness to this, that I am not a kakourgos, for "; Gagarin has little to say, unfortunately, regarding particles. 5.10 [A)\N]: add MH 25 n. 24 (also, the comma ought to be retained after TH\N KRI/SIN). 5.16 A)CIW/SEIS: cp. Manuwald, 45. 5.18 DIA\ TH\N TOU= SW/MATOS KAKOPA/QEIAN (del. Dobree et alii): Gagarin (cp. Due, 51 n. 7) correctly defends this phrase; for the A-B-A structure (not simply, as Gagarin says, "repetition"), see 3 bis, esp. POLLOI\ DE\ PISTOI\ GENO/MENOI TW|= YEU/DESQAI, TOU/TW| E)SW/QHSAN, DIO/TI E)YEU/SANTO; also 31, 35 (TEQNEW\S DE\ A)POLLUME/NOU); Andoc. 1.6, etc. 5.19 E)K POLLOU= PARAXRH=MA: see Edwards; also Pl. Apol. 18E5-19A2, 24A1-4, 37A6-B2. 5.21: OU) PRONOI/A|, recte; but contrast MH 36 n.16, which should therefore have been cited. 5.25 TO\ A)LHQE\S KAI\ TO\ GEGENHME/NON: variatio (cp. 5.3, 5.72) is no argument against hendiadys; on hendiadys in Greek oratory, see now Laura Rossi, "Il Problema dell' endiadi in Greco e le orazioni politiche di Demostene,", AION (sez. filolog.-lett.) 15, 1993, 121-44 (pub. 1995). 5.29-30: discussion of the many interesting problems surrounding the witnesses -- including the torturing of a free man -- is much too abbreviated; Gagarin does, admittedly, refer to earlier discussions, including his own; still, an elementary commentary of this sort ought to be more self-contained; contrast Edwards, 88 ff. 5.30 OU)DE\N FLAU=RON: Gagarin ad loc. (MH passim; Edwards, 83 f.) finds this "surprisingly weak"; but 42 fin O( DE\ [sc. the free man] TO\ PARA/PAN E)/FH OU)K E)KBH=NAI/ ME E)K TOU= PLOI/OU is unequivocal; whether it is true, of course, is another matter. 5.37 ME\N OU)=N: cp. 3.1.1 (OI)=MAI ME\N OU)=N); 3.4.8; Pl. Apol. 36A7 (with de Strycker-Slings ad loc.). 5.43 H)/DH DE\: Gagarin's comment that "only here does Eu. claim (rather vaguely) that he only enlisted help after the crime was accomplished", is confusing; rather, Euxitheos argues, ex contrario (see n. 7), that he would not have acted thus. 5.44 W(S O( TOU/TWN LO/GOS: that Herodes was slain near the harbor was only an inference (cp. B26 DH=LON GA\R KTL.); hence, we have here a fine example of what Due (41f.) refers to as Antiphon's tendency to advance "from probability to certainty". 5.48 DOU/LW|: Gagarin takes the dative in the usual manner, with E)/CESTI ('if it is permitted for a slave to testify'); Pl. Laws 937A8-B1 DOU/LH| DE\ KAI\ DOU/LW| KAI\ PAIDI\ FO/NOU MO/NON E)CE/STW MARTUREI=N KAI\ SUNHGOREI=N is decisive (-- on SUNHGOREI=N, however, see England ad a5 f.). 5.49 OU)DE/PW NU=N (cp. MH 64) simply = "never"; see 68 OU)DE/PW NU=N HU(/RHNTAI OI( A)POKTEI/NANTES. 5.64-66: that the culprit is often the first 'to finger' someone else (OI( ME\N GA\R PANOURGOU=NTES KTL.) is, indeed, psychologically sound, and is a principle often used in the modern crime story; Euxitheos' strategy is therefore effective; see Due, 46 f. 5.75: on the LO/GOS/E)/RGOS contrast in Antiphon (Gagarin ad 3.3.1; Edwards, 70), add Gebauer, 312 f. n. 37. 5.76 H(/MARTE: the references are supplied by Edwards; on EU)RO/PWS - EU)PO/RWS, add Diggle, Ill. Class. Stud. 19, 1994, 81 f. 5.78 XWROFILEI= "found in a letter attributed to the early philosopher Thales" will not do; AI( TOU= Q*ALOU= E)PISTOLAI/ (Diog. Laert. 1.43-44) are clearly apocryphal, as the letter itself indicates H(ME/ES DE\ OI( MHDE\N GRA/FONTES; see Schmid-Stählin, I.1, 728 n. 9; also Zeller-Nestle, Phil. d. Gr. 1.1, 7th ed., 260 n. 2. 5.91 A)SE/BHMA is not really "sin", which is anachronistic, but (as it were) H( PERI\ QEOU\S PLHMME/LEIA; cp. 5.88 fin A)SE/BEIA/ EI)/S TE TOU\S QEOU\S; 93 MHDE\N AU(TW|= SUNEIDO/TI MH/T' EI)S TOU\S QEOU\S H)SEBHKO/TI 5.93 TOU=TO AU)TO\ is not "the CUXH/", but "this very fact", i.e., TO\ CUNEIDE/NAI (as Maetzner).
Of the fragments, finally, Gagarin gives only an excerpt from PERI\ TH=S METASTA/SEWS; for the full particulars of this fragmentary text, see Decleva Caizzi, CPF 1.1 , 224-36.
The book concludes with a select bibliography and several indices. With one understandable exception -- Gagarin's own "The Torture of Slaves in Athenian Law," (CP 91, 1996, 1-18) -- nothing past 1995 is cited. Still, several omissions should be noted: G. Ramirez Vidal, "El logos AMARTYROS en Antifonte," in La Rhetorique Grecque. Actes du Colloque "Octave Navarre", 3 coll. intern., CRHI. Dec. 1992 (Paris, 1994), 147-62; J. Diggle, "EU)PO/RWS E)/XEIN and Antiphon, De caede Herodis 76," Ill. Class. Stud. 19, 1994, 81 f.; B. Manuwald, "Zur rechtlichen Problematik von Antiphon, Or. 5," Rh. Mus. 138, 1995, 41-59; A. L. Boegehold, The Athenian Agora, XXVIII. The Lawcourts at Athens (Princeton, 1995); Ch. Eucken, "Das Tötungsgesetz des Antiphon und der Sinn seiner Tetralogien," Mus. Helv. 53, 1996, 73-82; also E. Grace, VDI 1992 (no. 4), 28-46 and 1993 (no.1), 25-39 (in Russian). Despite the comments and criticisms offered above, it is useful to have this volume, and to learn, in more systematic fashion, Gagarin's views on many of the problems raised by the text of Antiphon. The appearance of this commentary will no doubt stimulate new discussion of this important author.
1. Still, the comment that "there has not been a commentary on all the speeches in any language since that of Maetzner in 1838" (ix), while strictly true, obscures the fact that much good work has been done on the speeches and the Tetralogies individually: notably J. H. Thiel, Antiphon's Erste Tetralogie (Groningen, 1932); A. Barigazzi, Antifonte: Prima orazione and Sesta orazione (Firenze, 1955); F. Decleva Caizzi, Antiphontis Tetralogiae (Milano, 1969); M. Edwards - S. Usher, Greek Orators I: Antiphon and Lysias (Warminster, 1985), 30-124 (by Edwards) on Ant. V. Gagarin makes good use of this prior work. For a recent English translation of the speeches, see M. Gagarin - D. M. MacDowell, tr., Antiphon and Andocides (Austin, 1998).
2. For justifiable homicide, see P. J. Rhodes, A Commentary on the Aristotelian Athenaion Politeia (Oxford, 1981), 644 f., who cites earlier bibliography; add K. Latte, RE 16.1, 1933, 285 (= Kl. Schrift., 387 f.).
3. See, e.g., H. C. Avery, "One Antiphon or Two?", Hermes 110, 1982, 155 n. 36. Even R. Sealey, "The Tetralogies Ascribed to Antiphon", TAPA 114, 1984, 75 f., who otherwise doubts the authenticity of the Tetralogies, is unsure of how to respond. In fact, both critics (Gernet, 10-12) and defenders (Decleva Caizzi, 21 ff., 31 ff.) of the Tetralogies have taken similar approaches, denying that O( NO/MOS here signifies an actual 'law'.
4. See A. Tulin, Dike Phonou: The Right of Prosecution and Attic Homicide Procedure, BzA 76 (Stuttgart/Leipzig, 1996), 85 f. n. 227. Full discussion of this passage must be reserved for another occasion.
5. See C. Eucken, Mus. Helv. 53, 1996, 73 n. 1; also Schmid-Stählin, Gesch. d. gr. Lit. (1959-61), 3:123 ff; D. C. Innes, "Gorgias, Antiphon and Sophistopolis," Argumentation 5, 1991, 222-27.
6. For EI)KO/S in Antiphon, see Fr. Solmsen, Antiphonstudien (Berlin, 1931), 53 ff.; Kroll, RE, Suppl. VII, 1940, 1042; Barigazzi I, 27 f.; Schmid-Stählin, 3:113 n. 2, 121 f.; Decleva Caizzi, 46 ff.; Gagarin, MH, 47 ff.
7. E.g., 5.43; 63 OU) GA\R DH/POU KTL., 85, etc.; see G. Gebauer, De hypotacticis et paratacticis argumenti ex contrario formis (Zwiccaviae, 1877), index, s.v.; also Barigazzi I, 28 f.
8. Cp. Barigazzi I, 58f.; B. Due, Antiphon: A Study in Argumentation (Copenhagen, 1980), 72 ff.; Edwards ad 5.1 et passim.
9. See Th. Thalheim - Fr. Blass, Antiphontis orationes et fragmenta (Lipsiae, 1914), v: "Post V 84 vestigia manus A2 deficiunt"; W. Wyse, The Speeches of Isaeus (Cambridge, 1904), xxxiv-vi. A2 "offre lezioni ora eccellenti, tratte da un altro codice, ora sospette come congetture dotte" (Decleva Caizzi, 87).
10. On the other hand, what is one to make of the likes of 5.12 AU)=QIS (AU)TOI=S mss.; "ad judicas referas" Maetzner), printed in the text without any comment whatsoever? Is this the result of the (promised) new collation, Gagarin's own emendation, or simply an error? The paucity of information given elsewhere leaves the reader baffled; cp. 5.80 DEDIDAGME/NON (pro DEDIGME/NON); 81 GENOME/NOIS om. (see Maetzner ad loc.); 94 OU)/TE (pro OU)DE\) and 95 (!) OU)DE\ (pro OU)/TE). I have only compared (for this purpose) the text of Ant. 5; instances, presumably, will be found in the text of other speeches as well (as, e.g., 1.7 T) EI)DW\S). Gagarin also claims (ix) to have seen "three Teubner editions of Antiphon that Wilamowitz had annotated now in the Wilamowitz library in Berlin"; these annotations are utilized (so far as I can see) only ad 4.3.2, where Wilamowitz' note is actually of very little value.
11. Gagarin's refusal to "normalize" the text is most noticable in his retention of the first person H)=N (see p. 250 ad fr. 1a 1-9), which is reasonable (though he regularizes H)/|DEIN: 2.2.3, 9; 5.74), and in his insistence on accepting the occasional omission of A)/N (p. 27f. et pass.; add 6.19) -- this last, however, produces a very unpleasant effect at 2.1.4, where Gagarin prints (without any comment in the apparatus) OU) GA\R A)WRI/, which cannot be right. (On the restoration of A)/N, see further Decleva Caizzi, p. 219; would Gagarin also defend Crippsianus' [A's] omission of A)/N in, say, Andoc. 1.67, 102, etc.?). Gagarin's adherence to the readings of A and N, while admirable in theory (in fact, these mss. often appear quite careless is these matters), leads him to defend such peculiarities as TA/ TE E)N TH|= at 5.45.
12. See, e.g., 2.4.7 TW=N KURI/WN E)XQRW=N Gagarin (without comment), where Decleva Caizzi had correctly printed TW=N KURI/WS E)XQRW=N. See her app. crit. ad loc.: KURI/WN Apr: KURI/WS A1N. Clearly, KURI/WN was simply an error made by the scribe of A, which he himself (as A1) later corrected. Decleva Caizzi aptly comments: "stupisce che gli editori abbiano preferito la lectio facilior di Apr; cfr. un esempio analogo in Plat. Phaedo, 66B: TOI=S GNHSI/WS FILOSO/FOIS (codd.; GNHSI/OIS Jambl.)". This should have been definitive.
13. I would prefer, e.g., to follow Decleva Caizzi at 2.1.9 and 2.4.10; also at 3.2.10 (which should not, I think, be part of the epilogue). At 1.8, we probably need to break after W|)H/QHSAN (with Barigazzi).
14. They derive, presumably, from two different traditions, since the titles certainly reflect an analysis of the Tetralogies according to the types of murder involved, rather than by stasis theory.